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How Star Wars Helped Patton Oswalt Beat His Movie Addiction

On the way that his career took off in the midst of his movie addiction

There was a string of luck and successes that I guess you could say was connected to the addiction. But the addiction began to replace my life, and when that starts to happen, it starts to hurt your comedy. 'Cause you're not living enough of a life to really feed into a memorable comedic set, I guess. If you just end up talking about movies you've seen and stuff you don't like, in the long run, that becomes forgettable.

On how his daily conversations became centered on films

My conversations were not conversations. It was me spouting paragraphs at people and then not listening to them and wanting to get to showing off the next thing that I knew, rather than being present with another person and finding out what they think and learning from them, basically.

On his attempts to use films to inspire the sketches he was writing for Mad TV

I was looking at the grand risks some of these movies were taking and then saying, "Why aren't I doing the same grand risk with a sketch that I'm writing for Mad TV?" Except that the sketches I was writing were so sloppy because I was so sleep-deprived from going to see movies and going out to do stand-up that I was using it as a defense for my half-assedness in writing the sketches. I was like, "Yeah, but I'm taking a risk here, why do you care where it goes? It shouldn't go anywhere, man!" And, again, it was a young guy who thought that my attitude and my boldness could take the place of actual competence and skill and work.

“ "I was the worst kind of movie fan. I'm the kind of guy who saw 6 movies a day, didn't write any movies, didn't make any movies, but then could be armchair quarterbacking on a movie that I had no hand in making."

- Patton Oswalt

On the first of two events that finally killed his addiction to movies, the release of Star Wars Episode I: Phantom Menace

It's not that it killed the addiction; it made me look at the addiction from such a different angle that it didn't hold any power over me anymore. I'll put it this way — I was the worst kind of movie fan. I'm the kind of guy who saw 6 movies a day, didn't write any movies, didn't make any movies, but then could be armchair quarterbacking on a movie that I had no hand in making.

Yes, I thought [Phantom Menace] was a failure, but the dude took a shot at it. It hit me that I was spending days and days and nights and nights with my friends, arguing back and forth about this film but this guy made a movie. Good or bad, he made a movie. He's on a different relam than you.

On the second event that dealt the death blow to his movie addiction

The New Beverly [Cinema theater] on Beverly Boulevard, that was my crack house, basically. And Sherman Torrigan, who founded it ... I went to the New Beverly and bought a ticket and Sherman said, "I thought you'd be handing me a screenplay by now."

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... I was basically doing the version of a guy that's shooting heroin and he's like, "I'm doing this so I can be like Lou Reed and David Bowie. I'll eventually do "Ziggy Stardust" and Transformer..." But it's like, no! You can't do the heroin addiction first. You have to become a good musician first. And even then you shouldn't do the heroin addiction, but I'm just saying, you're doing all this backwards!

On his dream to one day direct films

Eventually I will. But when I make the leap to become a director, I have got to convince a platoon of people to make the leap with me, so that's really nerve-racking. And I'm in the process of working up to that. And hopefully, someday, someone can play back this interview, if I've made a movie, and I can go, "Oh, OK. I was at least approaching it respectfully."

It's gonna have to be me finally just closing my eyes, and hitting the gas pedal and pulling out into traffic.

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