A Political 'Knife Fight' With All The Edge Of A Spork
Though seemingly designed to appeal to liberals — the governor's anti-Wall Street platform is emphasized, as is the lesbianism of Paul's Korean-American assistant, Kerstin (Jamie Chung) — Knife Fight avoids partisan stumping. The story (by Guttentag and political consultant Chris Lehane) is too busy lathering itself up over moral choices that someone like Paul would have made peace with long ago.
And when a saintly doctor (Carrie-Anne Moss) decides that toiling selflessly in a poor-folks clinic is excellent training for a gubernatorial bid, and Paul harshly attempts to dissuade her, the film's tonal schism widens to Grand Canyon proportions.
This is a shame, because when Guttentag and Lehane get things right, the results are pleasurably sharp. A series of fake campaign ads peppered throughout are perfectly tuned just a hair over the top, and scenes with West Wing veteran Richard Schiff, playing a grizzled private investigator, are impossible to fault. But not even Schiff can rescue a film so intent on laying claim to both sides of the moral divide.
Are we supposed to be pleased that Kerstin is so moved by the doctor's determination to serve that she willingly risks innocent lives to garner media attention for her candidate? And how do we respond to a screenplay that includes both a high-mindedly complex political wife and a crudely lingering shot of Kerstin's pencil-skirted behind?
Soulless and two-dimensional, Knife Fight is a black hole of disillusion and spin. Unable to decide if Paul deserves our contempt or admiration, the writers turn him into a smooth-talking cipher whose successes are presented as both laudable and deplorable. He's a shark who freezes midbite to ask, "What would Machiavelli do?" even as Kant is tugging at his perfectly tailored sleeve.