'Shaman' Takes Readers Back To The Dawn Of Humankind
He survives the perilous journey, which is narrated for us by a disembodied voice that announces his/her/it's presence as "the Third Wind." This mysterious force, like Athena in the Odyssey, comes to assist the hero whenever he seems to have completely exhausted his human powers. And believe me, he needs help — as does the entire tribe — to get through a hard winter and rekindle the fires of spring, hunt for fat-restoring game, and weather the weather that frequently serves as the dangerous backdrop to all sorts of tribal woes and misfortunes. It's all set against a landscape that Robinson describes with the exact and loving care of an inspired geographer: hills, valleys, streams, and rivers make up the home of Loon's struggling clan, led by the aging shaman — Thorn — whom he, as it turns out, is destined to replace.
As Loon comes of age as a hunter and a man, makes his kills and takes a wife, the endless round of days and seasons assume a palpable urgency; just when it seems as though the boy become adult will triumph over natural adversity, a party of "northers," a separate people who live mostly in snow and ice and have trained wolves to help them track and hunt, kidnap his wife.
The perilous trek to find and reclaim Loon's wife makes up only part of this gorgeous book that — like the best of its kind — gives you feel of a life we might dream about but will never otherwise know. It's rich with a sense of natural forces ruling beyond the visible, with bridges to the world of the departed, and a deep and abiding feeling of life powerfully fixed in earth, water, sky, and air, while at the same time attuned to changes in the seasons. It's a connection that these days we no longer feel much of — but Robinson brings it vividly alive, as when on the verge of spring the ice of winter begins to melt, so that "upstream and downstream the river was groaning ... crying out for release, for the chance to run free and see the sun again ... Big jagged plates were rising out of the shattered patches of river ice, as if something underneath was pushing to be free..." The sight of this pushes Thorn the shaman to push Loon in turn to say the appropriate poem in which knowledge of the changing of the seasons is transmitted from year to year and beyond. "Great salt sea deep trail of the dead," Loon recites as the river unlocks before his — and our — eyes. "We burn holly for you to break the ice."
As you can hear, Robinson keeps stylization of the language to a minimum, without stooping too low, so that the story itself can break free of the page and linger in the mind — which worked for me. Maybe it's because the world he creates feels so authentic and complete, but for several nights running, something happened to me that's never happened to me before, in all the years I've been reading novels. I dreamed I was living in Loon's world, traveling in the same tribe, along streams and rivers, through forest and over hills in an ancient state of mind.
Read an excerpt of Shaman