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Sometimes, though, a little well-placed gimmickry is exactly what's needed. At the outset of the upcoming documentary We Steal Secrets: The Story of WikiLeaks — which sounds dry as dust, right? — director Alex Gibney shows us not stolen documents but what looks like the Milky Way: a starry firmament of tiny dots that swirl and coalesce and then swirl away again. It's a visual motif he uses throughout the film, a representation of the flow of information on the Internet, and though it's completely made up, it's tremendously effective in suggesting how impossible to control that information is once it's out there on the Web.

So you won't hear me argue for reining directors in. Well, maybe Michael Bay, a little. But not someone like Luhrmann, who in Gatsby employs a lot of the same tricks he used successfully in Moulin Rouge. As he told NPR's Scott Simon quite persuasively this past weekend, everything he did was a deliberate, thought-through choice, from the 3-D to the rap songs.

For some people, it will doubtless work swimmingly. And even though I'm less enthusiastic about it, I also know this won't be the last screen word on Fitzgerald's words. There've been five film Gatsbys already — the first of them silent and in black and white.

And with film techniques forever changing, maybe someday — maybe with holograms — someone will figure out how to make this great (and supposedly unfilmable) American novel into the great American film.